Twisted Pulp Magazine Issue #5

Twisted Pulp Magazine Issue #5

Twisted Pulp returns with a new issue of irreverent comics, articles, and fiction to tickle your fancy. Are you a fan of odd, strange, and poignant pulp fiction and art? Then you belong with us.

    Contents

  1. Editorial #5
  2. Vertigo 1993-2020
  3. J.M. DeMatteis on Comics, Animation, and Beyond
  4. Dress Code: A Maladjusted Cartoon from Thomas Malafarina
  5. Jamie Delano Talks Hellblazer, Writing, and Creative Freedom in Comics
  6. Art by Alex Wynn Rubsam
  7. Astride Twin Seas By E.S. Wynn
  8. Jessica’s Eccentric Art
  9. Since the Sky Blew Off
  10. The Vampire’s First Rule by Deborah Drake
  11. Everyone is Different Respect the Differences
  12. Cocks Out for Larry
  13. Of Eons and Stars pt. 7
  14. Poetry by Natalie Chance
  15. Charles: Cemetery Groundskeeper
  16. One Night in the City
  17. 10 Questions for Roxie Cage
  18. Fingers An Audio Play by Pete Lutz
  19. Janitor Joe Meets Major Morningwood
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Vertigo 1993-2020

Twisted Pulp Magazine Issue 005 Vertigo
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Interview With J. M. DeMatteis

The Art of Storytelling: J.M. DeMatteis on Comics, Animation, and Beyond

Explore the journey of a writer who has shaped the Marvel and DC universes with unforgettable tales.

Born and raised in Brooklyn, New York, J. M. DeMatteis was a professional musician and rock music journalist before entering the comic book field. DeMatteis has written almost all of the major DC and Marvel icons—including memorable runs on Spider-Man (his classic “Kraven’s Last Hunt” was voted number one in a 2012 Comic Book Resources poll of Spider-Man stories and number twelve in a 2017 CBR poll of the greatest comic book stories of all time.

What was the first thing you remember reading?

I remember being around four years old, sitting in the children’s section of the local public library, looking at a Dr. Seuss book. Couldn’t say what it was…or if I was actually reading it or just enjoying the illustrations…but that’s the earliest, clear memory.

How did you get started in Comics?

I started at DC Comic in the late 1970s, pitching ideas to their anthology titles—Weird War Tales, House of Mystery, etc. That’s where new writers broke in in those days, writing little five to eight-page, twist-ending stories of the supernatural. A great way to play with the form and learn the craft of writing comics. Didn’t hurt that my editors were brilliant guys like Paul Levitz and Len Wein, who were there to teach me what I needed to know.

Weird War Tales JM DeMatteis

You’ve worked both on such historical titles such as on Spiderman, Capt. America the Defenders, Justice League, and others. What was the biggest difference between Marvel DC?

madam xanadu 1 JM DeMatteis

For me? No difference. The story is the story, no matter what universe it’s set in. I know people want to create some huge wall between both companies—and there certainly is, from a business perspective—but for me as a writer, I work with great characters—and great collaborators—at Marvel and DC. From my perspective, it’s all one big Comic Book Multiverse and I’m delighted I get to play in it.

Who was your favorite artist to work with?

I’ve had so many incredible collaborators that I could never pick one. When I started in the business I was lucky enough to have stories illustrated by some of the giants I admired growing up, guys like Gene Colan, Gil Kane, John Buscema. And then, once I established my career, I worked—and continue to work—with some of the very best in the business, from Jon J Muth to Sal Buscema, Mike Zeck to Michael Zulli. And those are just four names out of dozens of truly gifted collaborators. (If I listed them all we’d have no room for anything else!) I count myself very fortunate.

Spiderman JM DeMatteis

Do you think your environment, where you live, has an effect on the type of art you create?

I think the place we grow up in certainly shapes us. I haven’t lived in Brooklyn in many years, but that’s where I came of age and it infused me with a certain sensibility that follows me to this day. But, really, the stories come from someplace much deeper than that: from our heart and soul, our unconscious mind and spiritual core. Where we live is only one small part of it.

Is it easier for you to create if given an assignment or does it get in the way of your creativity?

Doesn’t get in the way at all. In fact, it often stimulates it. A writer can spend weeks, months, sometimes years, chewing over a new idea, bringing it to life, nursing it along—but, given a paying assignment and a deadline, the creative juices instantly kick in and you’re off and writing.

You’ve also written novels, screenplays, not just comics. What medium do you think you’ve achieved the most in your writing?

I love them all. The story is story is the story. It may express itself differently in a screenplay than it does in a comic book, but the essence of what makes a story work remains the same. So my favorite medium is whichever one I’m working in at the moment.

Real Ghostbusters JM DeMatteis

What have you written that you are most proud of?

Brooklyn Dreams JM DeMatteis

Hard to pore through forty years of work, but if I had to choose, I’d pick three things: Moonshadow, with Jon J Muth…my autobiographical graphic novel Brooklyn Dreams, with Glenn Barr…and a children’s series (part prose/part comics) I did for Disney’s Hyperion Books called Abadazad, illustrated by Mike Ploog. But there are many more projects that remain very close to my heart. Especially the ones I’m working on now!

What was the oddest thing you’ve ever been asked to do in your writing career? A specific assignment from a comic book company, a screenplay for a producer, books for a publisher?

Scooby Apocalypse JM DeMatteis

Maybe the Scooby Apocalypse series Keith Giffen and I did for DC a couple of years ago. I remember getting the call from Giffen, describing this strange updating of the Scooby-Doo universe and thinking, “Really? Scooby-Doo?” But I love working with Keith, so I said yes—and it turned out to be a fantastic gig. I fell in love with those characters and that world.

What projects are you working on now?

I’ve got comics projects in the works with some of my favorite mainstream characters—but they’re in the top-secret phase, so I can’t spill the beans yet. (And that’s why I’m being so vague about it.) Also developing a number of original comics series with some wonderful artists. Waiting on word about a new animation project. Teaching my online Imagination 101 workshop. And keeping very busy!

J. M. DeMatteis
J. M. DeMatteis by Federico Vinci, CC BY-SA 4.0

More about J. M. DeMatteis

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Dress Code: A Maladjusted Cartoon from Thomas Malafarina

Thomas Malafarina Maladjusted Cartoon Dress Code
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Art by Alex Wynn Rubsam

Twisted Pulp Magazine Issue 005 Art by Alex Wynn Rubsam
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Jessica’s Eccentric Art

Let's Scare Jessica to Death 2

Get inspired by a cult classic and learn to craft your own gravestone art

By: Lucy Hall

Jessica: “I sit here and I can’t believe that it happened. And yet I have to believe it. Dreams or Nightmares? Madness or sanity? I don’t know which is which.” —Let’s Scare Jessica to Death

Check your sanity at the door, and, prepare for a paranoid, psychodrama trip in terror with the fragile Jessica of the 1971 horror film, Let’s Scare Jessica to Death.

The cult film’s plot revolves around the unstable, mentally disturbed Jessica. After being released from a mental institution, Jessica along with her husband, Duncan, and friend, Woody, move to the countryside hoping Jessica will relax and have a new start in life. They move into the “old Bishop place,” which happens to be a creepy Victorian farmhouse. While settling into the new residence they are startled by the discovery of drifter, Emily, who has taken up residency in the abandoned house. Instead of freaking out at the presence of a stranger in the house, they decide to greet, and, keep her as a guest. However, Emily’s presence is soon alleged as malicious by Jessica. Jessica conducts her own investigation and discovers an old framed photograph in the attic. She later gathers information from an antique dealer and learns of a tragedy that occurred at the farmhouse long ago. A young bride by the name of Abigail Bishop drowned subsequent to her wedding. The body was never found, which, gave birth to the legend that she continues to roam the countryside. Jessica notices her guest Emily resembles the bride in the attic photo. However, Emily could not possibly be the bride due to the fact that the photograph was taken in 1880.

Is Emily a ghost or vampire? Is something supernatural taking place, or, is Jessica losing her mind? Is there a conspiracy to scare Jessica to death? Take into account Jessica’s mental history and struggles with her own instability, and alleged “hallucinations,” in which she initially keeps secret.

The intense uncertainty, surreal atmosphere, and gothic plot earned Let’s Scare Jessica to Death, cult status in the horror genre. The film relies not on gore and shock to hold audience attention, but, relies on whispering voices, genuine disturbing moments, creepy imagery with camera angles, an eerie musical score, and, the title character’s haunting narration. For genre fans, the film is a supernatural cornucopia. It has ghosts, vampires, a séance, a pet mutilation, a cemetery, a hearse, and hostile locals.

Watch the Movie

The film’s most memorable metaphoric element concerns Jessica’s therapeutic artwork. During their country road commute, Jessica and the guys take a driving break by the local cemetery.

Intrigued by the engraved images and poetry of the stones, Jessica kneels to read a compelling inscription scribed upon one.

“Frail as the leaves that shiver on a spray/Like them, we flourish/Like them, decay.”

The nature of decomposing autumn flora in the setting appears to be an allegory for Jessica’s hope and sanity slowly deteriorating. In addition, Jessica is surrounded by the deceased residents of the cemetery whose nature is also to decay. All apparent elements appear to be fitting allegories for the stone’s poetic verse. While visiting the somber environment Jessica indulges in her craft, the art of gravestone rubbing.

Later in the film, Jessica creeps out her husband by choosing to decorate the walls of the new home with her morbid wall art, which, appears to be an unsettling reminder of life’s tribulations and Jessica’s struggle to grasp reality.

At your next sinister social gathering, you can engage your dark associates and friends by incorporating a gothic-themed DIY project in conjunction with a viewing of Let’s Scare Jessica to Death.

Arrange for a cemetery field trip to be taken either before or after a screening of the film, so that guests can produce their own grave rubbing art. If you prefer to conduct your field trip prior to the film viewing then your guests could use their art as decoration for your party. However, if you prefer it to take place after, then your guests will not only depart your gathering with a possible hangover but, in addition, they will have gravestone art as a keepsake to remember the occasion.

Grave rubbing is a fun activity that can also be added to your All Hallows Eve traditions this Halloween; the season conveys an interest in graveyards, ghouls, and the supernatural. Tombstone, or, gravestone rubbing is a craft dating back to hundreds of years ago which is still practiced today. It is basically the process of transferring imagery of headstone surfaces by tracing the engraving onto paper. Once transferred, the paper captures both the epitaph and motif outline of the particular stone being used by rubbing firmly against the paper covering stone with the appropriate rubbing utensil. Once the paper is moved, the stone is unharmed and the image is converted to paper.

The craft may be viewed as an unusual hobby to adopt; however, it is considered an ancient art form. Historians, artists, genealogists, and those who prefer dark crafts are usually enthusiasts of this historical art. For serious historians, this activity enhances individual or group studies into local or family heritage. There are various incentives to use this art form as a pastime. The custom has drawn interest for genealogists clubs as a way to capture history. It is a means to acquire a match for a family or individual headstone. It is also a method of preserving a deteriorating headstone that may eventually lose its inscription. The hobby can be a shared family affair for bonding while learning about the family tree, and possibly locating unknown ancestors. Families can preserve their own history which will not be forgotten for generations to come. There are also collectors who use grave rubbing to collect celebrity grave epitaphs.

Before getting started on your own grave rubbing, here are some tips to remember:

  1. Always be respectful of the dead and the site in which you plan to use because some stones are so old they are to the point of harsh damage. Prolonged stone rubbing can cause permanent damage to these monuments because of abrasion, so proceed with care and help preserve the site and the stones.
  2. Do not use any tools that could damage the headstone. These include any waxy writing tools such as crayons.
  3. Some cemeteries are privately owned, while others are public but you may still need to seek permission for use by consulting a cemetery office manager, owner of the land, or, the local historical society. You can get started by acquiring the appropriate gear. Kits with all you should need to begin your hobby and books on the subject may be purchased online. An alternative is to compile your own rubbing kit by gathering the following needed materials.

Supplies Needed to Create a Grave Rubbing Kit:

The items listed can be purchased at craft supply or general stores. Using these supplies should not harm the stones and in turn create clear images.

  • Tracing Paper (purple on one side and white on the other.) You may also choose rice or butcher paper.
  • Artist Charcoal
  • A Soft Brush
  • Scissors
  • Water
  • Durable Tape such as Masking or Paint

Steps:

  1. To guarantee clearer results you may wish to clean the headstone prior to rubbing. A soft brush and simple water should work fine.
  2. Be careful not to get hurt or damage the stone if it is unstable and ready to fall.
  3. Cut a piece of paper the size you wish, tape it to the tombstone using tape, it should be secure enough not to move while you are rubbing.
  4. Use the charcoal to gently and firmly rub along the stone. Carefully work your way over the entire surface and outer edges. You may want to start at the top and work your way down the stone. The more pressure you apply the darker your print will become.
  5. When rubbing is done carefully remove your print.
  6. You may trim and alter the paper to best suit your artistic needs.

Additional Tips:

These are additional suggestions for using your finished project.

  • Goth or Halloween framed art or cards.
  • Notepaper or scrapbooks. Scan into your computer and print t-shirt transfers.
  • While on vacation these prints make wonderful souvenirs to bring home. In addition, while visiting historical cemeteries there are usually gothic sculptures of angels, crosses, and, other archetype grave guardians to photograph. Historical stones can reveal what was occurring at that particular era in time which can be determined by its images, inscription, and date.

Image Gallery of Let’s Scare Jessica to Death

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One Night in the City

The sun burns hot, drying up her life

No shade from rules and bureaucracy

She needs to break away from the strife

Despondency, mediocrity

She sheds the day, one more broken husk

Without looking back, without pity

Under amber streetlights in the dusk

It’s time for one night in the city

Checking her glamour in a mirror

Making sure no part was left behind

She sees the pieces so much clearer

Cherished dearer, though not yet aligned

The moon shines bright and her souls ignite

A gritty world now growing pretty

Malign lies fade as she holds truth tight

A bird soars now above the city

-Poetry by Lothar J. Tuppan

One Night in the City Photography by Janet Didur
Photography by Janet Didur
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10 Questions for Roxie Cage

Interview With
Roxie Cage

A girl with a passion for sideshow simply looking to distract people from reality for a little while. Sometimes I’m cute, sometimes I’m sultry, sometimes I’m wild, but I’m always happy to have you along for the ride!

10 Questions for Roxie Cage

What inspired you to become a sideshow performer?

I can’t pinpoint one specific event or moment when I decided the sideshow oddity life was for me. I’ve always been a bit odd and instead of resisting it, I chose to embrace it. I started with the art of sword swallowing, which I’m still working on. On that journey, I came across a community of like-minded individuals through a course called Oddity U created by sideshow legend Harley Newman. He takes on a lucky group of students and helps them learn the history of sideshow acts and performers, dangerous stunts, and respect for the fading art of sideshows and their respective community. Taking his course is what sparked my journey into the professional sideshow abyss.

Tell everyone about your YouTube channel.

I run a channel on YouTube where I post some new stunts, examples of shows I’ve participated in, and things I’m working on. I’m trying to educate folks online spreading the beauty behind the mysterious world of sideshows. I’ve been working with a graduate of Oddity U who runs a company called Asylum Aspire and is working on creating replica Posey straitjackets, I post all of those escapes on my channel. I’ve tested those jackets and they are exquisite quality with straps, seams, buckles, and canvas to go crazy for.

Roxie Cage

Have you ever been afraid you’ll get hurt and decided not to try something for your performance?

In all honesty the first time I attempt any stunt I’m worried, but I have had guidance from sideshow greats like Harley Newman and FenyxFyre. They put my mind at ease. In Oddity U one of the first things you learn is what can go wrong, and what to do when something does go wrong. Smashing a cinderblock on your stomach while laying on a bed of 1000s of spiral roofing nails can go wrong in many ways, chopping produce on your body with machetes can go very wrong, and hammering objects through your sinuses is also not something to take lightly. Preparation is key to any stunt and backing down without making an attempt to conquer that fear is not an option in my mind.

You are also a model and have your own Patreon. Which do you prefer as an artist, modeling, or Oddity performer?

I prefer performing, I have a Patreon where I post my more sexualized content. I love trying things like human block heading or laying on a nail bed with risqué outfits. I use the donations from my patrons to reinvest in props, costumes, and other necessities for upcoming performances.

Do you think your environment, where you live, has an effect on the type of art you create?

Not at all, my imagination roams quite free even during the current lockdown, in fact, it’s given me ample time to workshop new ideas.

Is it easier for you to create if given an assignment or does it get in the way of your creativity?

Depends on the project, things like photoshoots are easier when given directions for poses or locations to convey the mood we’re trying to exude. While arranging a performance, it’s easier to go with my gut on the direction of the act because the live performance will always have different variables.

Roxie Cage

You also create characters for your work. Have you thought of creating those characters for a book or video series?

I don’t have any original characters. I do the occasional cosplay on my Instagram just for fun.

What act or photoshoot are you most proud of?

My favorite photos and work vary from day-to-day. I love any image I’m block heading in, it’s my favorite stunt because it was the first one I actually accomplished solo. I was at home trying and trying until it clicked, from there I’ve used many other objects and I plan to use many more.

You take requests for your photos. What is the oddest thing anyone has asked you to create for those photos or the strangest thing you ever performed for your act?

Probably because of my escape videos, I tend to get requests relating to bondage fetishes, nothing too crazy but one request was for an hour-long video of me wearing a straitjacket and struggling to escape but never actually escaping. As for the strangest thing I have performed, I’d have to say it was my Chucky photoshoot based on the doll from Child’s Play. It ended up being my most polarizing set, some people found it creepy, others thought it was strangely arousing.

What projects are you working on now?

I’m hoping to do something with FenyxFyre soon, the details are TBA. I have some fun horror photoshoots planned and new escapes on the table. A new straitjacket from Asylum Aspire, and a new outfit with some ideas I hope I’ll be able to bring to life.

Roxie Cage

More about Roxie Cage