Twisted Pulp Magazine Issue #2

Twisted Pulp Magazine returns with a new selection of pulp and satire to tickle both your funny bone and tingle your… fear bone? This issue brings you more from Mark Slade, Lothar Tuppan, Chauncey Haworth, and Kara Kittrick, and adds in stories from Kesenia Murry and Rob Lowe (not that Rob Lowe). The issue also features artwork by Thomas Malafarina, Cameron Hampton as well as a special interview with comic artist Steve Englehart.

    Contents

  1. All Hail the New God By Randle Cocksmith-Jones
  2. The Strange Yet Familiar Worlds of Cameron Hampton
  3. Bidenbot 2000
  4. Steve Englehart: Ten Questions For The Comic Writing Legend
  5. Dementia By Kesenia Murray
  6. A Post-Apocalyptic, Twisted Pulp Interview with Jesus Christ
  7. Mrs. COVID 19
  8. Silly Seymour by Dr. Sause
  9. Of Eons and Stars Parts 3-5
  10. Willy Wonka Part 2
  11. Vampires of the West Coast Chapter #2
  12. San Sincero, California—An Urban Emanation from the Camino Real
  13. Travel Guide to San Sincero, California
  14. Struck a Nerve – A Story of San Sincero, California by Lothar Tuppan
  15. Turntable by Miguel Angel Caceres and Mark Slade
  16. Charles Goes on a Date: A Cartoon from Mark Slade and Thomas Malafarina
  17. Moron Tabernacle Choir – A Maladjusted Cartoon from Thomas Malafarina
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Steve Englehart Interview

Steve Englehart on Comics, Creativity, and Changing the Superhero Genre

Ten revealing questions with the legendary writer behind Captain America, Doctor Strange, and more.

Steve Englehart is an American writer of comic books and novels. His impressive comics experience includes his work at Marvel Comics and DC Comics in the 1970s and 1980s and The Night Man in the 90s.

When superhero comics began asking uncomfortable questions about power, politics, and identity, Steve Englehart was often leading the charge. His influential 1970s runs on Captain America, The Avengers, and Doctor Strange reshaped the genre’s ambitions and its relationship to the real world. Here, Englehart reflects on the ideas, instincts, and risks behind a body of work that changed what comics could be.

How did you get started in Comics? Reading your bio you studied Psychology?

I loved comics since I was a little kid, particularly the art, since the stories were simply serviceable. Maybe that’s why I wanted to do stories I liked better when I got the chance. And stories are all about people, so psychology.

Master of Kung Fu 17
Master of Kung Fu 17

What was it like working for Marvel in the 70s?

Fun. It really was the Bullpen they said it was, a small group of people all devoted to doing great comics, and I was psyched (so-to-speak) to be involved in it. We had complete creative freedom to make the best comics we could, and that’s not a common thing.

What was the biggest difference between DC and Marvel? Both of which you’ve worked for.

Marvel Premiere 9
Marvel Premiere 9

Marvel has become a real corporation, but it’s always had a human vibe because Stan had a human vibe. DC has always been a corporation and they have no human vibe.

You’ve created quite a few characters, which one did you enjoy writing about the most?

Coyote. My first series outside the Comics Code so I got to go in all sorts of new directions.

Coyote Comics

Do you think your environment—where you live—has an effect on the type of art you create?

I think so. I moved to California because I liked California, and so I have had a more complete life than if I were living someplace simply for work. Also, Cali has a certain vibe and that probably comes through in my overall body of work.

Is it easier for you to create if you are given an assignment or does it get in the way of your creativity?

Either way, because when I started it was all assignments and we didn’t know anything else—while, as I said, we had complete freedom to create. So I could make any assignment whatever I wanted it to be. (I should add that I’m old-school enough to honor the character I’ve been given, so that is part of what I wanted it to be. I don’t believe in blowing things up to just do it. But building and expanding makes for good stories.)

The Point Man by Steve Englehart
The Point Man by Steve Englehart

You’ve also written novels and screenplays—not just comics. What medium do you think you’ve achieved the most in with your writing?

Comics. I naturally resonate to the rhythms there. I can do others and I like the others, but those are rhythms I have to adapt to.

What have you written that you are most proud of?

It’s an annoying answer but I like almost everything I’ve written, because I almost always make it what I consider likable (and hope you think so, too).

Detective Comics 476
Detective Comics 476

What was the oddest thing you’ve ever been asked to do in your writing career? A specific assignment from a comic book company, a screenplay for a producer, or books for a publisher?

Off the top of my head: I was asked to do an English script for a Yu-Gi-Oh! cartoon, where the villains spoke normal language in the original, but were supposed to rhyme in English. The problem was, they would make mouth movements for “Blah blah blah blah blah,” and then “blah.” It was impossible to make any rhymes. But when I showed the producer that he said, “Do it anyway.” Needless to say, I bailed.

Steve Englehart
Steve Englehart

What projects are you working on now?

A while ago I set myself a huge challenge, writing-wise, because that sort of thing is fun for me. I would write chunks of it, then forget about it for months while I’d travel or whatever. Then when the pandemic hit, I started to work on it daily, and now I’m close to finishing it. It’s a seven issue “mini” where each issue is 60 pages long, and soon we’ll see if anybody wants to draw such a thing. But from a writing standpoint it’s been the usual fun.

More about Steve Englehart

Date Created: 02-22-2021
Date Modified: 12-16-2025

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Issue-2-Cover

Twisted Pulp Magazine Issue #2

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Willy Wonka Part 2 by Rob Lowe (Not that Rob Lowe)

Willy Wonka Part 2

By Rob Lowe (Not that Rob Lowe)

We currently are living in the #speakout movement and many stories have come out about many celebrities. There are some stories unfortunately that will go unnoticed. Some stories that will get pushed aside. I recently talked with someone who has tried to speak out about his story but nobody will listen. His name is Larry Furgenstien. Larry was born with dwarfism and was teased about it his whole life. He ran away at the young age of thirteen where he found other people with dwarfism. They formed a mini colony under an overpass off of I-95 in South Carolina. They were doing well for themselves until one day a limo pulled up. Out of the limo steps a man in plaid colorful pants, a purple jacket, a yellow top hat, and crazy hair. His name. Was Willy Wonka. Yes Willy Wonka—the same man who has graced us with candy for generations. This is part 1 of my interview.

Larry told me, “He (Wonka) came up to us and smiled and said he wanted to help us. And that if we came with him that he would provide us with shelter and food. So, of course, we went with him! We were tired of living under that damn overpass! We thought this guy might look crazy but hey its a place to live.” Willy Wonka took all thirty of the little people to his factory as they looked out the windows in awe. Larry said, “We couldn’t believe it! On the car ride over he was telling us that he works at his own factory and makes his own candy by hand. We didn’t quite believe him at first until we got to the gates and saw his name on the building.” At that point the limo stopped behind the factory and that is when all hell broke loose.

“The limo just kept driving around to the back of the factory. My buddy Ron at the time piped up and asked, ‘why aren’t we going through the front?’ Wonka just let out a little giggle as we pulled around back where about ten of these guys in suits and sunglasses were standing. At that point I knew we were in trouble.” Larry began to cry as he told this part of the story. He told me that the door opened as Wonka instructed all of them to remain seated. He saw Wonka go up to one of the men who was wearing regular glasses and not sunglasses. He whispered something to him and walked away into the factory. The men then surrounded the car and the man with the glasses ordered them all to get out of the vehicle. Larry went on to say, “Of course, we refused because we knew something was up. Then he reached into the car and grabbed my buddy Ron by the legs and yanked him out. We all started screaming and the car door was slammed shut. The driver locked up the doors and opened the sun roof as a can of sleep gas was tossed in. We all panicked but the roof was shut already. I looked out the window and all ten of those men were beating the shit out of Ron. I haven’t seen him since.”

After that bit Larry needed a small break. He was crying hysterically about losing his friend. He told me that they used to play Care Bears together. Join me next time as we dive deeper into the story that is Larry Furgenstien.

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San Sincero, California-An Urban Emanation from the Camino Real

San Sincero, California—An Urban Emanation from the Camino Real

Genres: Horror, Metafiction, Thriller, Urban Fantasy
In San Sincero the boundaries of the real disintegrate as an ancient dissonance redefines the lives of its people.

San Sincero is a thriving city on the California coast, somewhere between Santa Barbara and Santa Cruz. In San Sincero the boundaries of the real disintegrate as an ancient dissonance redefines the lives of its people.

The following is a early draft of an entry for San Sincero, written by the late travel writer Alan Campbell (born 1960—died 1993). He was preparing it for the newest edition of his excellent Top 10 Cities of California travel guide. Unfortunately, his body was found decapitated in his hotel room. This entry was mailed to
his editor, earlier the same day as his death.

San Sincero, California-An Urban Emanation from the Camino Real Letter

Dear Charles,

This is an extremely rough draft of what will be the finished entry for San Sincero. I can’t believe I’ve never been to this city before! I’ve driven up and down the California coast at least twice now, and I can’t remember ever seeing the city before. And, yes, I do know that those years were filled with more than my share of cocaine. Still sober after 6 months (knock on wood)!

Anyway, I wanted to share with you these first thoughts. I’ll flesh it out, clean it up (it’s more of a journal entry of purple prose now than a public document), remove the scuttlebutt, and add a few actual restaurants and other hot spots later. I can’t remember (from when you told me to make sure to include San Sincero in my new edition) if you mentioned whether you’ve ever visited the city before. If you have been, I have lots of questions that I’d like to ask you. Please call me at my hotel once you’ve had a chance to read the draft. I’ve seen a few very odd things (that won’t be in my entry as I don’t want them to lock me up as a crazy person) that I’d really like to talk with you about. Don’t read this as my editor! Just as my friend! Once we talk, it will be clear why I’m sending this to you.

Best,
Alan

Date Created: 11-14-2024
Date Modified: 03-12-2025
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Travel Guide to San Sincero

Travel Guide to San Sincero, California

Genres: Horror, Magical Realism, Urban Fantasy
San Sincero, California, is a city of contrasts—a place where gilded mansions loom over decaying slums, where the Pacific’s cool waves kiss a shoreline shrouded in an eternal fog of whispered rumors and buried histories.

Imagine that you are flying over the waves of the Pacific, approaching San Sincero, California. The first thing you see is a tall, off-white lighthouse in good repair, although it has been years since it’s had a decent paint job. Its light is still strong, cutting through the thick fog that enshrouds the city in an intimate embrace from late fall to early summer. Looking past the lighthouse, you see the beaches and the boardwalk, whose arcades and stores are frequented by locals and tourists alike. There is a pulse of life and magic that hums here—a sense of peace that is unknown elsewhere in San Sincero.

Farther south on the coast are the piers and docks of the Port Weyer district. The water here is dark and murky, and the buildings are run down. Long shadows fill with the secrets of souls too cowardly to strive for anything that would expose their hopes and dreams.

North of the lighthouse and boardwalk is where those dreams have turned into old money. Magnificent gothic mansions and estates curve north and then east. The mansions sit upon Mt. Sincero, delineating the northernmost part of the city. The effect is marvelous on clear nights when the lights make these estates appear as monoliths overlooking the city.

To the southeast lie the suburbs, as does UC San Sincero, which sits on the border of the wealthy district and the suburbs. The middle-class suburbs run on rituals perfected by the champions of the rat race—rituals that the painfully mundane perform to keep their mediocrity at bay. It is here that tract housing is truly appreciated, and where strip malls prove that the American dream is alive and well. The suburb dwellers are the ones who know that cul-de-sacs are not really dead ends.

East of the docks is San Sincero’s downtown, which contains a thriving financial district on the northwest side. To the southeast, the financial district gives way to the condemned buildings and aging skyscrapers of a bygone peak of success and glory. The biggest and grandest buildings in downtown were built from the 1920s to the 1940s, and in 1983, programs for the historic restoration of downtown began. By 1990, the original section of downtown was renovated and gentrified. The San Sincero downtown skyline is one of the most impressive and beautiful sights in this fair city.

North of downtown is uptown. Uptown used to be where the folks who worked downtown would live. It was a thriving community with friendly people who worked hard to make their dreams come true. This energy has attracted students and artists since the 1950s, and uptown is known for its bohemian flavor. This used to be a home of possibilities, but within the last decade, that hope has mixed with a fear of neighborhoods that have ceased to be safe. San Sincero State University is in uptown.

The buffer zone between the uptown/downtown areas and the projects to the east is what the locals call the Pleasure District. This is a classic “Red Light District” where activities and merchandise that are illegal elsewhere are legal—or at least tolerated to a certain extent—by the police department. It is here that demons are traded and heavens sought after.

Farther east is the projects, where the unskilled, unwanted, and unlucky end up. As in the Pleasure District, different rules apply here. Tenement housing creates the landscape where people of all creeds and colors come to roost when they gain secure positions at the docks or the downtown warehouses. This is where the projects have been built and forgotten. Drive-by shootings and gang violence are increasing.

East of the projects is the Kelley River (formerly Rio de la Soledad), which runs north to south, curving west to empty into the Pacific just south of the docks. This river separates the city proper from the rural areas. Even though the rural parts are officially part of San Sincero, the residents from both sides of the river treat them as two separate worlds.

During the gold rush, people came to the Rio de la Soledad to pan for gold. Too bad there wasn’t any gold in the river. Entrepreneurs soon discovered that the maritime trade opportunities were far more lucrative—and a lot easier—than panning. Some of the country folk refused to leave. They survived by hunting in the woods that surround the city. The city folk are a little bit scared of the rurals, partially due to not understanding them or their lives and partially because of the rich folklore from the turn of the century.

The San Sincero schoolyards buzz with legends of forbidden pacts, haunted woods, and the insane asylum with patients so dangerous the sanitarium was built across the river to protect the citizens of the city. Adults know that the San Sincero General Hospital and Mental Institute was built by John D. Kelley, a medical doctor from Boston, Massachusetts. The only property available that would meet his needs was just across the river from downtown. He figured it would be easy enough to build a new bridge, and he loved the woods. He and his family lived in a modest home on the east side of the river that was later renamed after him.

As middle age set in, Kelley spent a good deal of his money buying the undeveloped land on his side of the river. He wanted to guarantee that no one would ever destroy the woods that he loved so much. Before he died, he forged legal documents that protected the woods and the folk who lived there, no matter what his descendants would do.

He was well-respected and liked, although he was considered by most to be somewhat eccentric (and some legends about the family are, literally, sinister). His family has lived on this modest but beautiful estate for five generations. His great-great-granddaughter, her husband, and their ten-year-old daughter live there now. She has kept the family name out of respect for her lineage, and even her daughter is legally a “Kelley.” Rumors talk of a bitter husband who doesn’t like to be outshone by a long-dead eccentric, but the husband always seems friendly and happy whenever they go to social events, so who knows what really goes on behind closed doors?

Date Created: 11-14-2024
Date Modified: 11-11-2025
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Struck a Nerve-A Story of San Sincero, California

Struck a Nerve - A Story of San Sincero, California

Genres: Dark Fantasy, Horror, Psychological Thriller, Urban Fantasy
In 1790, deep in the heart of Alta California, an old native woman calls upon an ancient cosmic force—In’olloku, the Star-Walker—to punish the Spanish invaders. Her spell works, unleashing writhing tentacles from the heavens, devouring the cruel priests and soldiers.

Alta California, 1790—Near El Camino Real, just south of La Misión San Carlos Sincero de la Soledad.

An old native woman rocked, back and forth, in front of a small fire within her darkened hut, chanting in a tongue far older than the Hokan dialect her people speak. She threw a handful of aromatic wood and herbs upon the fire hoping desperately that her work was successful.

A younger woman entered the hut, her face filled with sorrow and shock.

“You’re back!” exclaimed the older woman. “What happened, did In’olloku destroy the Spanish filth and their god?” She grew worried as she noticed the young woman’s face. “I lost contact some time ago and have been chanting to regain it.”

The younger woman, unsure how to begin, was quiet for a moment before answering, “It is bad. It is very bad.”

The older woman turned her frustration and anger into resolve, “Tell me what happened.”

“At first, everything went as planned,” the younger woman said. “I was working in the plaza of the Misión. Padre Nivea was preparing his sermon to us, in that horrible Spanish, just as you said he would be.

“The bells rang, signaling that we were to stop working and join him in the church. Suddenly, the sky grew dark as a cloud was forming above the Misión.”

The older woman, triumphant, said, “Excellent! In’olloku did come to my call!”

“Yes, the Star-Walker came,” the younger woman still appeared stricken. “The cloud grew thick until the center burst open with the brightness of a sun. the long twisting tentacles of In’olloku came out. As many arms as there were Spaniards. Each one reaching around a Christian and tearing them apart.”

“This is what we wanted!” exclaimed the elder. “This is what the Spanish deserve for what they have done to us. To all the people of this land!”

“Yes,” the young woman looked, in some ways, older than her companion as she said this.

“The fury of In’olloku—the Star-Walker, the Star-Scatterer—is what the corruptor Padre Juan Araña Nivea deserves!” the old woman spat out. “Why do you stand there in horror at their doom?”

“That isn’t the bad part grandmother.”

“I… the old woman felt her stomach and heart sink as the young woman continued.

“The Spaniards were screaming… and dying. Their blood was everywhere. Nivea came out of the church holding a crucifix toward the Star-Walker. He prayed to Jesus Christ. He called In’olloku ‘Satan’ and demanded he leave in the name of his god.

“Laughter came from the cloud and In’olloku sent his light into the priest. Nivea dropped the cross and collapsed. His body shook. He struggled to raise himself to his knees. Blood poured from his nose. His eyes. His ears. In’olloku laughed. Our people had fled. I was the only one still watching.

“Nivea raised his arms and cried out to someone else. Not to the god of the Spaniards or his son. The name was not in Spanish, nor in our language. It was a horrible sound.”

The old woman prayed to her ancestors as the young woman paused, steeling herself for the rest.

“The blood flowing from his body turned black. He looked at In’olloku and I could see that Nivea’s eyes had turned black too.

“The priest began to laugh but it wasn’t him. Not really. I don’t think he was human at that moment. He got up and grabbed one of In’olloku’s arms and pulled. The arm twisted, like the knotted root of a tree, twisting in pain. I heard the Star-Walker scream as he was pulled from his cloud. Nivea laughed as he dragged In’olloku behind him towards the church.”

“This is impossible!” yelled the frustrated old woman. “No one can hurt one of the first gods. Especially not In’olloku.”

The young woman quietly continued, “Nivea turned to me. His eyes were still black. He said to find the others who had run off. He said to come back quickly as his sermon would start in an hour.”

Her body now started to shake as she finished her story, “He turned away from me, laughing, and pulled In’olloku—who was now small, so very small—into the church and closed the door behind them. I came straight here.”

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“This… this could not be worse,” said the old woman.

“I am going to the ocean grandmother,” said the young woman. “I will drown myself. We have nowhere to go and I will not let him and his evil spirits get me.”

“We have lost,” said the old woman. “The gods of our people have lost. The first gods from before us have lost. The spirits of this land run and hide.”

She looked at the young woman with tears on her lined cheeks. “Everything is over daughter. Everything has been lost.”

San Sincero, California, 1985.

Elliot hates winter. He hates the gray—the gray of the buildings, the sidewalk, the sky. The world should have color; bright reds and greens, and electric blues and golds like a clown’s clothes. Elliot smiles as he thinks of colors. His dark hand moves lightly over the red and white striped sweater he wears underneath the old and faded coat that protects the sweater from unsympathetic eyes. His sweater reminds him of candy canes and barber poles while his coat keeps his heart and dreams safe behind a dull brown. He pulls his coat tight and walks out of the shelter of the doorway onto the sidewalk. The cold wind cuts through him causing him to wince and pull his blue knitted cap down tighter over his ears as his dun-colored loafers shuffle his stooped form down the sidewalk. He wishes that he would allow himself to grow a beard for warmth but vanity demands that he stay clean-shaven.

Every morning between 6 and 6:30am Elliot shaves his face with an electric razor. Gary, the general manager of a Denny’s in downtown San Sincero likes Elliot and when he works mornings he lets Elliot come in, order a cup of coffee, and use the outlet in the bathroom to shave (the razor was a gift from a friend and Elliot will continue to use it until it finally breaks to honor and remember that friendship, despite the inconvenience of needing an electrical outlet). Once, Gary gave Elliot a hard time when he came in after 8am. Customers complained about the derelict in the bathroom and Gary told Elliot that if the district manager found out he wouldn’t be able to let Elliot shave there anymore. Elliot hasn’t ever come in past 6:30am since then. He doesn’t want to get Gary into trouble and he doesn’t want to miss a shave. Elliot is almost fanatical about keeping his face clean and his salt-and-pepper afro short and proper. He’ll miss a meal before being unkempt—especially a special day like today.

As Elliot enters the Denny’s he hears, “Morning Elliot.”

“Morning Gary. Seems busy for this time of morning.”

“Yeah,” Gary laughs as he says this. “And I’m down a busboy. Should I have Nancy set up a coffee for you at the counter?”

“Thank you kindly, but I can’t today. I’m meeting someone in a bit.”

Elliot looks around the restaurant, “It is busy though. Is it still alright if I use the bathroom to shave?”

“Of course, just be quick. But, thanks for asking man.”

“How did Denny’s warrant getting a saint like you Gary?”

Elliot’s smile makes Gary feel like more than just a guy who is slowly letting his dreams die under the reality of a soul-crushing job, “They pay their managers better than McDonald’s does.”

The smile fades, just a bit, as Elliot says, “Seriously though, Very few people would let a bum use—”

“Stop it,” Gary says, cutting him off. “And you’re not a bum. Although I do wish you’d take the dishwasher job I keep offering.”

“Not my style,” the smile returns.

“Sleeping on the streets is?” Gary says as gently as he can.

“We’ve been through this before. But don’t worry, I’ll be out of here toot sweet!”

“Alright, alright,” says Gary, raising his arms in surrender. “See you tomorrow Elliot.”

“Lord willing and the creek don’t rise!” Elliot jokes as he heads to the bathroom.

As Gary turns to seat a new customer he says, “The way the weather looks today, it just might.”

Under the stones of the Camino Real, in a time beyond time.

Roads lead to where you need to go to where you already are to where you will never reach and pistons pump out disappointments as gears laugh and both the rich and poor demonize each other while hiding their fear behind the sounds of angry justIFIcatIoNs and vIctIMIzeD tones that harmonize the rage you’ve felt for centuries and with the anger of HeaDLiNes wRitteN wiTH a suRetY BorN of noIsE.
NoIse… Sure… hAR..LiN…TTerW…PMenTPoisaDS…
YOu taVern SucKer dAn, goRE LaIDeN MaiD!

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San Sincero, California, 1985.

Reaching the bus stop Elliot sits on the bench and smiles, savoring the pleasure of rest after a cold walk. He wishes his body was as willing to move as his spirit. He would dance every day, if his body would let him, and show the kids how it was really done.

Elliot bends down and picks up a section of crumpled newspaper carried by the wind. He hates seeing the printed news littering up the streets. He starts smoothing out the newsprint, speaking lovingly to it, “You’re not a bad paper. Your owner should have taken you with him. Or put you out of your misery. Don’t you worry none. You can keep me company until the bus comes by.”

Elliot turns to the weather section, “Darn it. It says here it is supposed to rain. That’s not right. Karen deserves a sunny day. A warm day!”

Elliot hums under his breath, his gaze unfocused on the headlines he stares at.

A mouth that tastes hot and a skin that feels sad and hunger that food never sates all do their best to distract you as foundations swirl into syncopating giBBerIsH. “Heavy storms to last through the week. Potential flood warning for communities east of the Kelley river” and swirling and twisting spirits of the desert of the chaparral become your loving fist where your multiples of bRIBe siGH and tHoM THoU remake hoTTesT MoSSy laRVa kEG WHethER thOU aLLowING AffrOntEd PorTIon moUNt fAe semIotiCs kiLL eVerY thREE until you and everyone sees the truth which is a joy fought for and stolen from cold black iron.

Elliot thinks today is going to be a great day as he reads the weather section. “Storm front to miss San Sincero. Sunny and warm by early morning.”

“That’s swell,” he thinks. “Just the sort of day Karen deserves!”

Elliot closes his eyes as he folds the section carefully and lays it next to him on the bench and smiles. He resumes his humming as the automobiles continue to pass by and the clouds begin to dissipate.

A soulless voice, almost mechanical, rising from somewhere uNdeR can barely be heard to say, “Ontoloplex breached. Implant Rejected. Initiating protocols.”

A young man walks toward the bus stop. The young man isn’t waiting for Elliot’s bus; he’s going to a different part of town. Sitting a respectful distance from Elliot he takes the newspaper and begins to read as Elliot’s bus approaches.

Confused, and feeling a bit groggy, Elliot says to himself, “The 319 is early today… I… ” he turns to the young man, “Excuse me, do you know what time it is?”

With an exasperated sigh the man says, “7:30.”

“7:30!” says Elliot, more than a little frightened. “I… must have blacked out again.”

“You should lay off the Night Train old man. And get a goddamn job why don’t you?”

The voice from uNdeR states, “Diagnostics initiated.”

Shaken, Elliot rises from the bench and hurriedly climbs the steps onto the bus leaving the young man alone with the newspaper touched by Elliot, the winds, and who knows how many others.

The young man is Joe Davidson Jr., a freshly minted lawyer, following in the footsteps of his district attorney father. He reads the weather report that almost glows it is so distinct, “Sunny and warm by early morning.”

Great news to start the day with, Joe thinks. First day at the firm. Sunny day. Joe Davidson, welcome to the first day of the rest of your life!

The voice from uNdeR states, “Initiating Entry.”

Joe stares at the newspaper, suddenly frozen and trembling as the words shuffle under his gaze, freed from their prison of newsprint. The words of the headline are like thunder. Deafening. District Attorney, Joseph Davidson Sr., Killed in Mugging. His chest clenches and he hears something far off sHaTTeR.

“Dad. Oh God, No,” Joe closes his eyes and wipes a hand over his face before looks again at the article.

Beloved Mother Commits Suicide Because Son Doesn’t Visit Enough.

“What the?”

Fiancée Breaks Off Wedding—Ex-Bride-To-Be Says Joey Jr. Is an Inconsiderate Louse and a Horrible Lay.

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“What the fuck is this?”

Joe turns the pages as the words swing a special dance just for him.

Attorney Joseph Davidson Jr. Found Dead at Bus Stop—Police Suspect Suicide.

Joe screams, crumples the newspaper, and slides off the bench, in a heap, onto the sidewalk. A gloom rises from the newspaper smelling of sweet perfume and old sweat.

Oh God, he thinks. My legs don’t work. Get up fucker. Get up! This is sick. Some sick joke… no, I don’t know what the fuck is going on but I can feel it. Something is coming. Something is behind me!

Joe gets up and stumbles down the street while other early morning commuters move to avoid him and the gray words that follow. He hears, faintly, a soulless voice say, Archon deployed.

He starts to run (not really caring where he’s going) into an alleyway and upon reaching a wall that marks a dead end, sits down hard. Staring at the ground until the gloom speaks.

You’re not him. But, you touched his smut. Filth from him that our protocols have… repurposed. Says a voice that is cold and grating, as if the parts of the throat uttering the words don’t quite work the way they should. A voice that belongs to a stranger with ashen skin. Wait. Is he really there?  Joe can barely focus on him, and the features keep shifting.

“L-leave me alone,” says Joe.

The stranger squints his eyes and sniffs the air until, finally, he smiles and says, Where is he?

“What the hell are you talking about?”

The stranger sighs tiredly and shakes his head. I can see that you are next to useless. But one uses what one has available. What vitality is available. Then, like steel, the voice says, What did you read in the newspaper?

Joe Davidson looks confused. His pain turning to rage as he screams “Leave me the fuck alone asshole!”

The stranger’s face breaks into a small smile as he shrugs and grabs Joe’s face in his hand.

Ah… I see. Your father, your mother, your lover, your life. Hope and delusions give way to strife. You really are just a shit-bag of neuroses aren’t you? Joe starts to convulse as the man peers into his eyes, thrashing like a fish on a line.

“It’s all true you know,” says the stranger in a stronger, deeper, voice. Joe realizes that this is the first time he has actually heard this voice with his ears. “Every word. Why, it was printed in the papers so it must be true.” The stranger squeezes his hand and Joe trembles.

“Your father shot.” Davidson tWitChEs.

“Your mother dead by her own hand and a broken heart.” Davidson jErKS like a puppet on a string.

“Your young fiancée won’t even notice your death. She’s got real men to keep her happy now.” Davidson SpAsmS.

“It’s really too bad you were unable to climb out of your despair. Suicides are so sad.” Davidson sHaTterS.

“Three lives, no wives, how much more can I contrive?” says the stranger mockingly as he turns away from the body lying lifeless at his feet.

“Don’t feel too bad though,” he says looking at the sky. “The rain is going to miss us. Looks like it might be a nice day after all.”

He sniffs the air and if anyone would happen to walk by they would marvel at how much the harsh-looking, but sharp-dressed, man looks remarkably like the corpse of Joe Davidson Jr.

“Now, you spotty saucy, who’s the one who’s being naughty?” His smile fades. He breathes deeply, adjusts his coat, and walks out of the alleyway. “You never should have shown yourself trickster. I’ll find you now.”

(To be Continued)

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Date Created: 11-14-2024
Date Modified: 01-17-2026