Dark Super Short Stories

When the man came up to the counter, the clerk had just started smelling himself. He was wearing the chain’s vest with the red and blue patch and had left his name tag on the bed. He’d forgot to wash the vest because he started watching a comedy on Netflix, then watched a second and stayed up until midnight. The vest’s armpits got soaked in sweat the day before when he was unloading the truck. When the man walked up, he was thinking about having to wash the vest that night. The man put his things on the counter and started yacking like a hedge trimmer.

“Seen him move over onto the yellow median and I’m thinking he’s going to make a left, but he didn’t make a left. He kept inching along the median. I slowed down because I was afraid to pass him on the right. Me, afraid. I’m following him and he keeps driving along the median, and I’m thinking, son of a bitch, he’s getting me irritated. I kept watching the car and getting more irritated. Red Taurus. And he wasn’t drunk. The car wasn’t moving like a drunk was driving it. So, what I was saying—it moved like he was looking for an address, slowing down, speeding up, like a zoo animal. You seen a polar bear at the zoo, what they do? They pace. They pace and they tear fur out. You see what zoo polar bears look like? It looks like it has some kind of disease, but it doesn’t. Well, it does, I take that back. It’s a mental disease. They all look like that from tearing their fur out with their teeth.”

Don’t ever go down Potter’s Road after dark. During the day you can traipse about in the hollow as much as you like. Ride your bicycle. Take your lady friend for a walk. Fish in the stream. Do anything you please. But when the sun sinks behind the hills, stay away.

Not all of Potter’s Road is haunted at night mind ya. You can walk safely from Vincent’s Bridge, all the way down into town. It’s getting past Robber’s Rock, to Vincent’s Bridge that gets you jiggered. Before Robber’s Rock, you’re as free as a bird, past it, and you’re doomed.

It all began forty years ago. Back then Potter’s Road was safe to walk at any time of day. The whole length of it. Other than a tree root or an ill placed rock, there was nothing there that could harm you.

One bright summer’s day a man walked into town. He had no horse and no bicycle, his only mode of transport was his own two feet. Now people say that this man had been lucky from birth. To all appearances he was one of the most vile looking beggars that ever walked into the town. He wore long robes that were old and full of bits of cloth that had been patched on, to keep the garment from falling apart. His face was dirty and his hair was prematurely grey, and wild. Even his shoes were full of holes; he himself seemed to have very little luck.

But the man himself was very lucky.

Lucky for others that is.

If you helped this man out, your fortunes would change for the better.

Basically, every strip began the same way. A realistically drawn hand dips his pen in an inkwell and when the pen rises, a semi-realistic black devil is sitting on the tip. Three panels of hand trying to stop the devil from causing chaos, either in panels already drawn—-such as the devil disturbing a wedding, or in Grimwood’s own life—such as eating his sandwich or taking flames from the fireplace and trying to burn Grimwood’s house. The last panel always ends with the hand stained with ink, holding the devil by the nape of its neck and placing it back into the inkwell, the other hand ready to screw the top back on.

So popular was Grimwood’s Devil, he followed Winsor McCay into animating his first and only completed film in 1914, using two plots from the strip, the hand stopping the devil’s hijinks of eating the sandwich and jumping out the apartment window to ruin a wedding. The four minute animated film played to huge box office numbers, making Grimwood quite a bit of money, but cost him his job at the Charlottesville Daily.

I went to the University Library where they still had archival materials of the Charlottesville Daily from 1908, scattered through our months of January, September, and December in years 1909-1911, and one paper dated February 3, 1915 showing headlined Editorial about Nat Grimwood, disputing a rumor Grimwood’s Devil was coming out the newspaper and terrorizing readers and their families, neighbors and friends. The Editorial went on with this note: “We at the paper sincerely apologizes for the trouble, if any of the fantastically, nonsensical events actually occurred”. It ended with the announcement that Bat Grimwood would be leaving for other opportunities.

I heard another sound, which seemed to be the mournful cry of some sad and pathetic creature coming from deep inside the jungle, sending chills pulsating throughout my body.

Yet, I continued to walk deeper into the jungle as if unable to control my body’s movements. It was surrealistic, and for a moment, I wondered if I might be dreaming. I passed through the jungle along the winding path without being accosted and eventually exited the massive wall of tall trees to find myself at the base of the extensive mountain range.

In the distance, at the base of the nearest mountain, I saw a large opening to what appeared to be a cave. I would have missed this had it not been for the eerie fluorescent blue glow emanating from inside, causing the opening to look like a giant pale blue eye against the blackness of the mountain face.

I walked toward the opening having no more idea why than I had when I walked through the jungle. Behind me, I could hear that unidentifiable mournful cry, which a chorus of similar cries had now joined. I felt as if they were trying to warn me against going inside the cave.

However, I knew nothing would stop me as I was drawn into the cave. Strangely, the glowing blue light seemed to calm me in a way I couldn’t begin to explain. Yet the closer I got to the iridescent opening, the louder the warning cries from deep in the jungle became.

I turned and saw hundreds of pairs of silvery red eyes glimmering in the blackness. I took a deep breath and passed through the cavernous entrance.

I might as well get this out of the way from the start. I’m not crazy, no matter what you think after reading this. The truth is, I’m a world-famous author. Many of my books have been adapted to screenplays and have become major motion pictures, royalties from which have made me wealthy.

In my early days, finding someone to publish my work was impossible. As a result, I collected a stack of rejection letters probably taller than the five-story tenement building where I rented a one-bedroom flea-bag apartment paid for by an assortment of part-time jobs.

It’s often been suggested I have an attitude problem, a sense of superiority. But how difficult is it to be superior to what we think of as the general public? In my opinion, most of the people out there are barely human.

The concept of what constitutes humanity is paramount to what I’ve learned and what truths I’ll reveal to you soon.

By the time the snow melted, five people were dead.

The village of Viremoor had always been quiet, too quiet, Detective Eloise Marrin used to say, before Winter Garden came alive with ghosts. It was supposed to be an old, forgotten estate. A crumbling relic hidden behind frost-covered hedgerows and rusted iron gates. But over the course of two months, it became something else:

A stage for murder.

Five victims. Five perfect crime scenes. And all of them, in one way or another, pointed to Thomas Vale, the godson of Victor Harroway, the late owner of the manor and a man with enough wealth to buy a town’s silence.

I was out behind the shed watering the tomatoes and the eggplant when I heard Charlie calling for me.

“Dad! Dad! Come quick!”

Well, I didn’t go there quick. I didn’t even move. I was tired. Dog tired, actually, after working at the plant all day spray painting the doors to Dodge trucks and then off to work at the feed and seed store at 4pm and just got home a half hour ago at 7:45…I was done running for people.

Charlie came running to the garden screaming: “Dad! There’s a hole in the ground! Like in the movies! The ground is moving! The ground is moving!”

I swiveled around slowly to face him, the water hose blasting the plants, the lawn chair, and finally Charlie. He laughed as he tried to defend himself from the spraying water, yelling for me to cut it out. I dropped the hose and asked him what was so important he had to interrupt the only enjoyment I get the entire day.

His response: “The earth might swallow all of us up!”

I blinked.

“Including your mother?”

“Dad! Yeah!”

“Even Gosomer?” He was our Blue tick hound who had little patience for squirrels, passing cars and generally anyone walking up the drive, including me.

“I said everybody, damn it!” Charlie immediately looked down at the ground and apologized.

“Alright,” I said, removing my hands from my waist. “I’ll look at your moving earth, Charlie Cole, if it will humor you.”

“Dad,” Charlie said with a scoff added at the end. “I wish you’d stop saying if it will humor me, usually when I’m serious nothing will make me laugh.”

Huh. I had to smile at that. Barely twelve and the boy already has his mother’s biting wit.

“Okay, okay. Where’s the hole.”

She dropped at my voice, and I had time to curse myself while I made a light and tried to raise her from the floor. She shrank away with a murmur of pain. She was very quiet, and asked for Boris. I carried her to the divan, and went to look for him, but he was not in the house, and the servants were gone to bed. Perplexed and anxious, I hurried back to Geneviève. She lay where I had left her, looking very white.

“I can’t find Boris nor any of the servants,” I said.

“I know,” she answered faintly, “Boris has gone to Ept with Mr. Scott. I did not remember when I sent you for him just now.”

“But he can’t get back in that case before to-morrow afternoon, and—are you hurt? Did I frighten you into falling? What an awful fool I am, but I was only half awake.”

“Boris thought you had gone home before dinner. Do please excuse us for letting you stay here all this time.”

“I have had a long nap,” I laughed, “so sound that I did not know whether I was still asleep or not when I found myself staring at a figure that was moving toward me, and called out your name. Have you been trying the old spinet? You must have played very softly.”

I would tell a thousand more lies worse than that one to see the look of relief that came into her face. She smiled adorably and said in her natural voice: “Alec, I tripped on that wolf’s head, and I think my ankle is sprained. Please call Marie and then go home.”

I did as she bade me and left her there when the maid came in.

That was another reason Sonia was the artist; she always thought of things like this. Arthur covered their garage floor with a plastic tarp and suspended a quart can of white paint on a rope from the ceiling, hanging about six inches directly over the black square he had painted. Again, at Sonia’s suggestion, he offset the can somewhat from the center of the square.

Now, it was time for Sonia to take over. She held the can away from the square while Arthur first drilled a small hole in the bottom of the can. Then, as Sonia covered the hole with her finger, he drilled another hole in the top of the can, allowing a thin stream of paint to begin flowing once Sonia removed her finger from the bottom. Sonia took careful aim and sent the can slowly flying in an arc over the tarp and black square. They watched in amazement as the swirling paint created geometric results on the black canvas below.

That was two years earlier and one of the last few pieces she had made before… before the unimaginable tragedy. Arthur had been away on business for a few days when that low-life bastard had broken into their home, raped and beaten his precious Sonia to death, then robbed their home of whatever he could find. They were not wealthy by any means, but they had a few nice things of value. The murderer had even taken a few of Sonia’s works of Art.

I had always found the organ-playing at St. Barnabé highly interesting. Learned and scientific it was, too much so for my small knowledge, but expressing a vivid if cold intelligence. Moreover, it possessed the French quality of taste; taste reigned supreme, self-controlled, dignified and reticent.

To-day, however, from the first chord I had felt a change for the worse, a sinister change. During vespers it had been chiefly the chancel organ which supported the beautiful choir, but now and again, quite wantonly as it seemed, from the west gallery where the great organ stands, a heavy hand had struck across the church, at the serene peace of those clear voices. It was something more than harsh and dissonant, and it betrayed no lack of skill. As it recurred again and again, it set me thinking of what my architect’s books say about the custom in early times to consecrate the choir as soon as it was built, and that the nave, being finished sometimes half a century later, often did not get any blessing at all: I wondered idly if that had been the case at St. Barnabé, and whether something not usually supposed to be at home in a Christian church, might have entered undetected, and taken possession of the west gallery. I had read of such things happening too, but not in works on architecture.